The Sea-Wolf

                                                                     ' THE SEA-WOLF '
                                                                     (by Jack London)

Year Published: 1904
Language: English
Country of Origin: United States of America
Readability:
Flesch–Kincaid Level: 7.0
Word Count: 117,008
Genre: Adventure
Keywords: 20th century literature, adventure, american literature, Jack London

The Sea-Wolf is Jack London’s journey deep into the heart of darkness and madness that each person carries within themselves. It is the story of a man whose struggles with good and evil result in his demoralization, disintegration, and death. Set in the Pacific Ocean, the book reveals how raw nature can cause a human being to lose their grip on reality.

The story revolves around Humphrey Van Weyden, an upper middle class youth who seeks “adventures” and “experiences” as seasoning for the writer he hopes to become. His foil is the sea captain Wolf Larsen—a murderer, narcissist, bully, and madman. In the midst of this heavily testosterone-flavored narrative is Maud Brewster, a well-mannered young lady who becomes romantically engaged with Van Weyden and thereby rouses the somnolent beast within Larsen. Van Weyden and Maud overcome the multiple obstacles and threats posed by Wolf Larsen. It is the sea-crazed Dane who succumbs to his own evil nature.

The story is laced with a rich vocabulary of nautical terms and sailor’s language—one of the many gifts London brings to these pages. The author is content to lay out the story, plain and simple, and let the reader draw any conclusions, moral or otherwise. To his credit, London avoids the moralizing that sometimes crippled fiction of this era. The “aha” moments flow organically from the story and thus become the reader’s and not the author’s.

The Sea-Wolf puts to rest the notion that Jack London was nothing more than a hyper-masculine writer who loved tales of blood and brutality in the frozen North. He has been seen as a progenitor to the prose of Ernest Hemingway, and there is some truth in that comparison. Unlike Hemingway, however, London in The Sea-Wolf portrays complex characters in all their shades of humanity with a focus more on the human heart than on the human body.

Ultimately, all the characters undergo some kind of transmutation through the process of working aboard the ship and struggling for their survival against the sea, against Wolf Larsen and against each other. The Ghost becomes a metaphor for our passage through life with our fellow humans.